Las óleos de todo FURINI, Francesco
ID Image  Painting (From A to Z)       Details 
78895  
FURINI, Francesco, Artemisia Prepares to Drink the Ashes of her Husband
  		 Artemisia Prepares to Drink the Ashes of her Husband   ca. 1630(1630) Medium Oil on canvas Dimensions 79.4 x 66.7 cm (31.3 x 26.3 in) cyf
6735  
FURINI, Francesco, Judith and Holofernes sdgh
  		 Judith and Holofernes sdgh   1636 Oil on canvas, 116 x 151 cm Galleria Nazionale d'Arte Antica, Rome
28651  
FURINI, Francesco, Lot and his daughters
  		 Lot and his daughters   mk61 c.1634 Oil on canvas 123x120cm
6736  
FURINI, Francesco, Lot and his Daughters df
  		 Lot and his Daughters df   Oil on canvas, 123 x 120 cm Museo del Prado, Madrid
28937  
FURINI, Francesco, Poetry and Painting
  		 Poetry and Painting   mk65 Oil on canvas 70 7/8x56 5/16in Pitti,
96048  
FURINI, Francesco, St John the Evangelist
  		 St John the Evangelist   1630s Medium oil on canvas cyf
6737  
FURINI, Francesco, St John the Evangelist dfsd
  		 St John the Evangelist dfsd   1630s Oil on canvas Mus??e des Beaux-Arts, Lyon
6734  
FURINI, Francesco, The Birth of Rachel dgs
  		 The Birth of Rachel dgs   Oil on canvas, 189 x 232 cm Alte Pinakothek, Munich
96283  
FURINI, Francesco, The Three Graces
  		 The Three Graces   after 1638 Medium oil on canvas Dimensions 220 X 175 cm (86.6 X 68.9 in) cyf
58451  
FURINI, Francesco, Vanity
  		 Vanity   mk261 Florence about 1630 oil painting on canvas 83 x 90 cm
FURINI, Francesco
Italian Baroque Era Painter, 1603-1646 Italian painter. He was one of the leading Florentine painters of the first half of the 17th century, famous for the ambiguous sensuality and sfumato effects of his many paintings of female nudes. He first studied with his father, Filippo Furini, nicknamed Pippo Sciamerone and described by Baldinucci as a portrait painter, and he completed his apprenticeship in the studios of Domenico Passignano and of Giovanni Bilivert. Inspired by an admiration for Classical sculpture, which he studied in the Medici collection in Florence, and for Raphael, he travelled to Rome, which he reached as early as 1619 (Gantelli, see 1972 exh. cat.). Here he came into contact with Bartolomeo Manfredi and with Giovanni da San Giovanni. In 1623 he assisted the latter on the frescoes of the Chariot of the Night in the Palazzo Bentivoglio (now Pallavicini-Rospigliosi), commissioned by Cardinal Guido Bentivoglio, and also perhaps on the lower paintings (1623-4) in the apse of the church of SS Quattro Coronati, Rome.



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